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This complete companion to the study of drama, theatre and performance studies is an essential reference point for students undertaking or preparing to undertake a course either at university or at drama school. Designed as...
This complete companion to the study of drama, theatre and performance studies is an essential reference point for students undertaking or preparing to undertake a course either at university or at drama school. Designed as a single reference resource, it introduces the main components of the subject, the key theories and thinkers, as well as vital study skills. Written by a highly regarded academic and practitioner with a wealth of expertise and experience in teaching, Mangan takes students from studio to stage, from lecture theatre to workshop, covering practice as well as theory and history.
Reliable and comprehensive, this guide is invaluable throughout a degree or course at various levels. It is essential reading for undergraduate students of Drama, Theatre and Performance Studies at universities, drama schools and conservatoires, as well as AS and A Level students studying Drama and Theatre who are considering studying the subject at degree level.
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A rigorous exploration of a discipline that is constantly changing
Effectively maps out what you can expect from a degree in Drama, Theatre and Performance
Practical sections on acting, devising and directing
An extensive list of key concepts with clear explanations
A select encyclopedia of entries on major practitioners, theorists and performances
Tips on study skills such as using journals and navigating the library
Career advice to help you get the most out of your studies and plan your future
Introduction: This book and how to use it PART I: DRAMA, THEATRE AND PERFORMANCE: THE SUBJECT AND ITS STUDY 1. The Context of the Subject 2. Your Course and what to Expect from it 3. Study Skills for Drama, Theatre and Performance Students PART II: CORE TOPICS IN DRAMA, THEATRE AND PERFORMANCE 4. Developments and Directions 5. Working Practically 1: Acting 6. Working Practically 2: Devising 7. Working Practically 3: Directing 8. Theatre Histories 9. Analysing Texts 10. Questions of Theory 11. Theatre and Gender 12. Theatre and the World: Globalization, Interculturalism and Postcolonialism 13. The Uses of Drama: Applying Performance 14. Mediating Performance: From the Machine Age to the Digital Age PART III: KEY CONCEPTS PART IV: LANDMARKS: KEY PRACTITIONERS, THEORISTS AND PERFORMANCES PART V: FRAMEWORKS FOR RESEARCH: KEY WRITINGS ON DRAMA, THEATRE AND PERFORMANCE PART VI: WHAT NEXT? PART VII: RESOURCES FOR STUDYING DRAMA, THEATRE AND PERFORMANCE Bibliography Index.
Michael Mangan is Professor and Chair of Drama at Loughborough University, UK. He has taught English and Drama in Universities in the UK and the US, and has held chairs at the University of Wales Aberystwyth and De Montfort University. He is also a playwright and director, and has worked as a literary manager, a dramaturg and an actor. His books include Christopher Marlowe's Doctor Faustus: A Critical Study, A Preface to Shakespeare's Tragedies and Staging Masculinities: Gender, History, Performance.
Michael Mangan is Professor and Chair of Drama at Loughborough University, UK. He has taught English and Drama in Universities in the UK and the US, and has held chairs at the University of Wales Aberystwyth and De Montfort University. He is also a playwright and director, and has worked as a literary manager, a dramaturg and an actor. His books include Christopher Marlowe's Doctor Faustus: A Critical Study, A Preface to Shakespeare's Tragedies and Staging Masculinities: Gender, History, Performance.
