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Theatre & the Visual argues that theatre studies' preoccupation with problems arising from textual analysis has compromised a fuller, political consideration of the visual. Johnson examines the spectator's role in the...
Theatre & the Visual argues that theatre studies' preoccupation with problems arising from textual analysis has compromised a fuller, political consideration of the visual. Johnson examines the spectator's role in the theatre, exploring pleasure, difficulty and spectacle, to consider the implications for visual experience in the theatre.
Successful series: A new title in this vibrant and established series of 'short, sharp, shots' about theatre
Unique in analysing the importance of the visual in performance in an accessible format for students
Dominic Johnson is at the cutting edge of both research and performance in this area
Series Editors' Preface Foreword Introduction PART I: HISTORIES OF LOOKING PART II: WORDLESS SPECTACLE PART III: THE PLEASURES AND PAINS OF LOOKING EPILOGUE: THE SHOCK OF THE NEW Further Reading.
DOMINIC JOHNSON is Lecturer in Drama in the Department of Drama, Queen Mary, University of London, UK. He is the author of Glorious Catastrophe: Jack Smith, Performance and Visual Culture (2012). He is a performance artist himself, and has performed at venues and festivals in the UK and internationally.
DOMINIC JOHNSON is Lecturer in Drama in the Department of Drama, Queen Mary, University of London, UK. He is the author of Glorious Catastrophe: Jack Smith, Performance and Visual Culture (2012). He is a performance artist himself, and has performed at venues and festivals in the UK and internationally.
