XWe have detected your location as outside the U.S/Canada, if you think this is wrong, you can choose your location.

Macmillan Higher Education

Cart

Continue Shopping
All prices are shown excluding Tax
The submitted promocode is invalid
Discount code already used. It can only be used once.
* Applied promocode: ×

Due to COVID-19, physical book delivery is currently not possible to Djibouti, French Polynesia, Kuwait, Lebanon, Libya, Maldives, Morocco, Moldova, Mongolia, Somalia, Sri Lanka and Tunisia. If you are affected please select an ebook version instead. Apologies for the inconvenience.

Important information on your ebook order

Important information on your access card order

Important Notice

Sapling can only be accessed if your instructor has set up a course at your University. Please only buy this code if your instructor has an active Sapling course.

Important Notice

This product should only be purchased by International students at University of Illinois.

COVID-19: Support for professors and students affected by Coronavirus. Learn more

Writing in Collaborative Theatre-Making

Author(s):
Publisher:

Red Globe Press

Pages: 240
Downloads:

Flyer

Sample chapter

Further Actions:

Recommend to library

Permissions

AVAILABLE FORMATS

Paperback - 9781137331687

02 December 2016

$32.99

Free Shipping

In stock

Hardcover - 9781137331694

04 November 2016

$89.99

Free Shipping

In stock

Ebook - 9781137331700

16 September 2017

$26.99

In stock

All prices are shown excluding Tax

This engaging text explores the role of the writer and the text in collaborative practice through the work of contemporary writers and companies working in Britain, offering students and aspiring writers and directors...

Show More

This engaging text explores the role of the writer and the text in collaborative practice through the work of contemporary writers and companies working in Britain, offering students and aspiring writers and directors effective practical strategies for collaborative work.

Show Less

High profile: Draws on case studies and previously unpublished interview material with major companies such as Kneehigh, Frantic Assembly and Shared Experience

Student friendly: shows students how to practically apply theory to their own practice through practical strategies, a skill demanded by almost all Theatre Studies courses

SECTION I: UNDERSTANDING THE PRACTICE
Introduction
1. A brief history of writing, writers and text in 20th century collaborative theatre
SECTION II: COLLABORATION, TEXT AND
2. Writer as Co-Creator
3. The Writer as Company Scribe
4. The Writer/Director
5. The Writer as Poet
6. The Multiple Writer Model
Conclusion.

Add a review

Sarah Sigal is a freelance writer, dramaturg, director and visiting lecturer at Queen Mary, University of London, UK. She is the Live Performance Programmer at JW3 and the Creative Co-Director of Hush-Hush Hoopla.

Show More

Sarah Sigal is a freelance writer, dramaturg, director and visiting lecturer at Queen Mary, University of London, UK. She is the Live Performance Programmer at JW3 and the Creative Co-Director of Hush-Hush Hoopla.

Show Less

Best Sellers